Beauty & Volatility
Measureless weight, the indicatives of silence and that which escapes notice, the obviousness and that which is digested without realizing it. Divination of expectancy and that which is actual or the focus in environment, conglomerated bias cannot escape bias, the formulaic excitements of space and that which tends to reckon with the emptiness, these bright skies reflecting off the top layer of snow, the brightness of the daylight and the particles already charged with negative ion inference at high altitudes. The distinctions in that which is possible or that which seems likely are easier in formulaic, repetitive space that doesn’t have a lot of variety. These mountains faces, they change so slowly, the river cutting new paths of valley could tell you how long ago these features started working toward this scenery, a wanted part of the scenery or this environment sinking into the backgrounds of that which is often overlooked or completely ignored, the dissonance in that which is similar or difference, these conversions of matter to space that can be sensed, all this floating in the air just beyond that. The distinctions of conditioning and that which seems likely or possible compared with that which is actual and real. Of all the connections I could imagine with the environment around me, with all of us that are part of any environment, how could any variable of wild information be isolated effectively for focus? All this imagining that I must have this partiality, that this wholeness is also part of me, the variable indicatives of nature and that which tends to draw attention: missing parts of conjecture and the focal devoid patterning of that which cannot be avoided. The background adding to any actual point of focus or attention, the ways in which imagination and instinct separate body and message, these conditioned limits to what might be important to me from an environment and the technologizing of the imagination. Would we even notice? Over stimulation and frequency interruptions to that which we are able to imagine, and the ways in which we can digest the environment around us. The empty chairs sitting in open wilderness, the easy images of escape imagined in places that should never feel so crowded. Free will and free choice, memory and movement, the distinctions of that which is digested as part of sight or assumed in automatic message, the additive nature of that which is noticed, the immediacy of idea and ideal attached to objects, scenery and people, the connectivity assumed in any amount of that which could be similar or different but, why not just let it be? The necessity of note and investments of timeliness in that which is abstract and conceptual. Rhetorical situation and parabolic understandings of that which could actually formulate togetherness beyond shallow similarity or difference. The ways in which information goes together doesn’t have to compete. The exactitude of the connectivity and continuer will always be an opinion of the observer. Impressions or expressions, the indicative values of space and that which in leading lines, emphasis, color and texture relate the world around us to chemical and electrical investments we can actually use. The sightliness of anything, the wanted beauty and the actuality of ugliness, the considerate values of that which is noticed or ignored, the need for beauty in nature and the volatility and beauty in natural change. Would the notice of ugliness with the same amount of wonder and focus and love as that which is ugly help or hinder survival? All these beautiful, poisonous plants, animals: the beauty in nature often wants to attract us only for prey. Natural beauty must have industriousness? The need for and even worship of beauty and the actuality in the idea that most of the beautiful organisms are poisonous. Is part of the need for beauty in the change in nature the need for self-defense, the need for attention to beauty to distract from adaptation and add automatically to survival?
The ugliness (beauty?) in survival and the beauty in change, volatility in either…
Distinctions of space, the timeliness of movement these conditions of suppositions, these lights beyond perspective, the diligence of daylight these magnitudes of pull from the reflections on the face of the moone, these delicate-seeming excitements and the swans that belonged here or there to begin with. These exceptional distances beyond in thoughtlessness, the distances imagined worth traveling, these perfections unnatural ugliness and the actuality of asymmetrical balance in the beauty and volatility of natural change and movement—the figures of excitement or the imagined closeness or closure of movement, continuer theory: a universe of constant motion, the wanted semblance in that which cannot help transference, the supposed connections of movement taken out of situation, away from figure and out of character cannot be accurate. Any supposed closeness another closure of assurance in that which must be connected or moving, assumptions on timing indicatives and the actuality of continuer and connectivity beyond similarity or difference, beyond shallow claimant supposed togetherness. Assumptions upon motion and perfection are not realistic, the actuality of motion and its indicative change in nature isn’t going to be isolated by assumptions of similarity or difference, nor assumptions of connection nor continuance.
